Designer Profiles: Clara Garavaglia & Martina Minotti
Clara Garavaglia and Martina
Minotti have both graduated from the Polytechnic of Milan with bachelor degrees
in Fashion Design. Clara Garavaglia is
passionate about art, travel and above all, fashion. Fashion plays a large role in Clara’s life,
as she has started sketching in high school and both her grandmothers have been
seamstresses. Clara Garavaglia has
explored the world of fashion from the perspectives of culture and
planning. Her five years of study at the
Polytechnic of Milan and the additional work experience have enriched Clara
educationally and inspirationally.
Martina Minotti describes herself as a “somewhere” designer. She likes to live every day in a different
style, whether it is to go back to her grandmother’s closet or to style her favorite
trends. Martina loves to express herself
through clothing, accessories and jewelry.
Martina tries to live each day as a trip to “somewhere” through her own
creativity.
“Les Empreintes” Fashion and
art are two passions that have always brought Martina and Clara together. Every
part of the design was influenced or inspired by an artist or a work of art.The
main point of reference for them was Robert Rauschenberg, who incorporates
everyday objects into his work."Les Empreintes" uses the concept of
materiality, overlap and structural recovery. They used waste materials not
only for decoration, but as the construction of the head itself. It is a
contemporary reinterpretation de la petite robe noire, whose traditional
elegance is played down by the use of an unusual material typical to
sportswear, a Japanese men’s sweatshirt, a metal mesh crown caps used for the
constructing side panels, the décolleté and the jewel-train. The motivation to
use crown caps directly in contact with the skin comes from reading about the
similarity between our body and the earth. In addition the cap will leave a
temporary trace on your bare skin, but harming the environment leaves a
permanent trace on the skin of the Earth.
Both Clara and Martina believe that ethical aspects from the perspectives of design and production should be heavily considered in the field of fashion. They think it would be useful to create a network between the schools of fashion and companies over-produce materials so the students can recover these materials to make fashion.
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